It Came From Cult Reviews: Intruder (1989)

a “lost” review from 2008

First, some backstory: a little while ago, I discovered that the Severin films Blu Ray 4k release of Skinner (1993) has a pull quote from a write-up I did on the sadly now-defunct Cult Reviews, ran by my friend Gert. It’s a very short pull quote – “incredibly tasteless” – and it was credited only to Cult Reviews but when I read it, I thought, “wait. I wrote a review for this movie. Could these two words be from MEEEEE?” So off I went to the internet to search for the old CR site, only to find that the domain was up for sale. HECK. To the Wayback Machine!

Thank [insert deity of choice, or not] for the Wayback Machine, a repository of archived websites. There, I was able to find all my old reviews from CR, spring them wholesale from their prison, and dump them into a holding cell while I considered what exactly to do with them. Eventually, I landed on the idea of bringing them over here intact, while adding notations along the way. Think of it as Present Me acting as editor to Past Me: this lets you all see how I was writing reviews back in the early 2000s (roughly 2008-2014) and cringe along with me while wading through what surely is a lot of absolute shit attempts at “comedy.” Shall we?

I’m starting with a review from 2008 for Scott Spiegel’s Intruder, a strange little slasher film from 1989 set entirely in a grocery store as the overnight crew works on restocking shelves. I’ve got a deep fondness for this film, particularly for its star, Danny Hicks, may he rest in peace. Danny was one of the first people I met at a horror convention and somewhere out there is a picture of me being side-hugged so hard by him, it looks like we’ve known each other forever. My buddy DK (who knew Danny personally) and I spent a lot of time hanging out at Danny’s table and chatting with him in the hotel atrium after the convention events were over for the day. I don’t recall if this convention took place before or after writing the review (I think before), but I do know that eventually, a company based in The Netherlands released several films under their “Mr. Horror Presents” label, and one of the films under this banner is Intruder, and on the front of the package is a pull quote from my review:

Pretty, pretty good. So here, without too much further ado, courtesy of Cult Reviews and the Wayback Machine (Current Anna’s notes are in bold and italics, all other formatting remains the same as the original):

Intruder
Director: Scott Spiegel
Writer: Scott Spiegel, from a story by Lawrence Bender
Release Year: 1989

Say it ain’t so, Produce Joe!”

The night crew at a small grocery store is getting picked off like so much fresh produce, but who is doing the harvesting?

(Spoilers follow…)

The 1980s gave us some of the best and worst bits of pop culture: side ponytails, ninja turtles, old women inquiring about the location of “the beef,” and slasher movies. Out of this last entry, there have been some classics, some crap, and some hidden gems. One of these gems is Intruder, one of the last of the 80s slashers and actually one of the best. Featuring some inventive kills, no less than two members of the Raimi family, and a horribly mis-marketed cameo by Bruce Campbell, Intruder is primarily about Jennifer (Elizabeth Ross) who is apparently being stalked by her ex-con ex-boyfriend Craig (David Byrnes). I say apparently, because anyone who’s seen the trailer for this movie would know that he isn’t the killer, nor is he even the bad guy. In fact, the trailer makes it pretty obvious that store manager Bill (Dan Hicks) is the perpetrator.

“Betcha’ can’t guess I’m the killer!”

Saying that doesn’t really spoil the film at all; the fun here really lies in two things: the gore and the acting. We can gratuitously thank KNB EFX (helmed by Robert KurtzmanHoward Berger and Greg Nicotero) for providing the rather amazing and quite unique death scenes here: a band saw slices through a man’s head, someone else has their head smashed in a trash compactor (which always makes me want to shout out “garbage day!,” except that’s from the craptactular Silent Night Deadly Night 2), and Sam Raimi – in a scene that should thrill anyone who hated Spider-Man 3 – ends up on a meathook. [note: “craptacular” is great, we should use that more often]

“I got the perfect role for you in Spider-Man 4.”

As fun as the kills are in Intruder, the acting is the real treat. Admittedly, I am biased in favor of anyone named “Ted Raimi,” but aside from his amusing turn as Produce Joe (why he gets the goofball nickname and no one else is a mystery), Intruder also features Ted’s lesser-known brother Sam, Renee Estevez (Emilio and Charlie’s little sister), Dan Hicks (whom we all know and love as Jake from Evil Dead II), and cameos from Bruce Campbell, Lawrence Bender, and Emil Sitka, who is best known as a stock performer from the classic Three Stooges shorts. The cast is proof that Spiegel is trying to make an amusing film. There is no way anyone could take this film completely seriously.

Another aspect of the film that provides even more fun is the setting. To my knowledge, this is the first horror film set primarily in a grocery store, and it’s a much better comedic experience than The Mist, which was a Debbie-Downer film if ever there was one; feel-good comedy of the year, my ass! [note: ugh. bad joke.] But the setting for Intruder also provides one of the bigger plot-holes: How did no one hear anyone else being killed? In particular, how come no one reacts when one character is pulled through the beer cooler while dozens of cans of beer fall to the floor? More importantly, why did no one rush to save the beer? Won’t someone think of the beer?

“Meat cleaver in my head, you say?”

This brings me to the film’s ending, which is admittedly clever, but also a forehead-slapper. Jennifer and Craig discover that Bill is the bad guy. The police have already been contacted regarding the late-night shenanigans at the grocery store, but what no one expects is that the cops will bust Jennifer and her greasy ex for the murders! That’s right, when officers arrive on the scene, they see the former lovebirds beating the holy living crap out of Bill, which leads Bill to claim that they are the ones responsible for any deaths. And the cops believe him, because Craig is an ex-con! I believe this is the part of the review where you imagine the “you lose” horns from The Price in Right playing in the background. [note: ACAB]

Something else to consider, which really has no bearing on the film itself, but is a major bone of contention with people who actually have purchased the DVD for Intruder, is the DVD packaging. By all accounts, this DVD is sold as a “Bruce Campbell/Sam Raimi” starring feature. The back of the DVD states that the film is about an ex-cop trying to solve the murders, and also features a still of Campbell from Army of Darkness, to give the impression that he is in the film for more than about two minutes. Do not be fooled, unless you already were. In that case, all I can say is, do your research, sucker. [note: bro, you used “DVD” FOUR TIMES in this paragraph – find different phrasing??]

“You mean, I’m not the star?”

The real star of the picture is Hicks, who overplays his role to pitch-perfect degree. He gets that it’s a B-movie; hell, it’s really a bit closer to B-minus, but he knows that and he uses it. He also gets the best lines in the film, one of which features prominently in the trailer: “I’m just crazy about this store!” That line is the real giveaway to the killer’s identity, because no one would just say that about a grocery store in Detroit, unless you’ve never been to Detroit. Anyone who has would know better. [note: Detroit has changed, man. There are probably at least three grocery stores to rave about these days]

All this aside, Intruder really is one of the unsung slashers of the 1980s. I can’t call myself a big fan of slasher movies, but this one even tops Halloween for me. Intruder, along with Joseph Zito’s The Prowler are my favorite of that sub-genre. So sue me, I like to have fun while watching movies. Whaddya’ gonna’ do about it, knock my block off? [note: while I still love Intruder and The Prowler, what the hell was I thinking saying these films are better than the OG Halloween?! Stupid, stupid comment.]

Rating: 3 stars (out of 5)

There you have it! I’m actually fairly proud of this review, and particularly chuffed that somewhere over in Europe, people have copies of Intruder with my words on it. How nice.

4 thoughts on “It Came From Cult Reviews: Intruder (1989)

  1. Hello Anna!

    Wonderful to see your Intruder review resurrected here. And loving that “It Came From Cult Reviews” heading (riding a vintage sci-fi/horror vibe very much in sync with the CR spirit back then). Much appreciating the name-dropping nod too here, thank you. Running CR was a lot of fun, and quite some work went into it (not to mention many great contributions from a wide variety of authors, such as yourself).

    To fill in the gaps on your back story from my end: Cult Reviews was active online from 2008 to 2016. In that final year, I made a discovery similar to yours: one day I woke up wanting to log in on our CR site, only to discover it was gone and the domain was up for sale (at a ridiculously high price). One message to my webmaster friend later, I found out he had neglected – I believe “forgotten” was the word – to renew it before a certain date. So there you go. Eight years of collaborative efforts seemed suddenly “… lost in time, like tears in rain.” [~Roy Batty]

    However! Nothing worthwhile ever gets “lost” on the interwebs, does it? A couple years later, I learned about the existence of the Wayback Machine. And the fact that CR had been archived on there. Joy! I reckon it belongs there now and that’s fine. All reviews are still accessible and retrievable, it seems.

    As for your quote on the Dutch “Mr. Horror Presents” dvd release of Intruder, that indeed came as an unexpected pleasant surprise. At the time I had no prior knowledge about it either; I recall just discovering it on the actual dvd in a store. Around that same time, as fate would have it, I also met Jan Doense (aka Mr. Horror himself) at a Brussels film festival. We briefly talked about this, his film label, upcoming releases, etc. And that lead to the idea of covering some more titles on Cult Reviews (one of them being Pin, which you took on as well).

    Any case, this was a fun stroll down memory lane! And I enjoyed your approach to revisiting your earliest writings, with current notations from the Present You. Fun stuff, keep things going!

    Warmest,
    Gert

    1. Gert, hello!

      I’m so pleased to “see” you again! I’m grateful for the additional information about the untimely demise of CR, despite the frustrating ending, as well as your discovery of the Mr. Horror Presents DVD quote. I do have a question I’m hoping you can answer, because my search on the internet for more information left me a bit empty-handed: were the Mr. Horror releases part of a larger company’s releases, or a standalone label/company? I did find a website that was selling old copies and was pleasantly surprised to see how many different titles were under that label. A nice little collection of cult films, indeed.

      I plan to post the remaining CR reviews here over the coming weeks. I took a cursory glance at them as I was copying them from Wayback and overall they weren’t too bad, save for a few lines here and there that made me realize how much I’ve changed as a writer. It felt like opening a time capsule, and also very wrong to edit them into something I would write now.

      All the best to you!
      a

      1. Hello again, Anna!

        Great to hear back from you too! It took a while to discover your reply on here, sorry. I thought I’d get a notification, but apparently that failed (or I overlooked it).

        To answer your question: the Mr. Horror Presents releases weren’t part of a bigger company. This standalone label – or this collection of releases, if you will – had a short but solid run, offering both older and new (independent) films at the time. It’s a curated selection by Jan Doense himself, presenting some of his personal favorites.

        The newer titles were very likely often films picked up directly during their European festival runs over here. Among the older “classic” titles, you’ll also notice none of them had any big studios involved with their production/distribution (or if they had at some point, those rights likely became available/affordable again during post-2000 years).

        The only other company attached – as far as I know – was Living Color Entertainment handling the distribution. They were also based in Amsterdam, and the Mr. Horror releases were primarily for the Dutch and Belgian dvd market (the Benelux countries). So that might already give an indication of it being a smaller scale company as well.

        It also meant most of these dvds were released with original audio (language) and Dutch subtitles only. Some of the later releases (i.e. Next Door, Pin, Intruder) also included French subtitles (and French liner notes in the booklets), due to French also being an official language in Belgium.

        If I’m not mistaken, the retrospective catalogue of Mr. Horror Presents contains 24 titles, with Narciso Ibàñez Serrador’s ‘Who Can Kill a Child’ being the final release. The list of releases you can find on LastDodo seems to be complete.

        In a way, you could consider Mr. Horror Presents a forerunner to what we know now as “boutique labels” (long before this terms became a thing). The label seems to have had a 3-year life-span (from 2007 to 2010). The DVD format was entering tough times by then, hence my idea the label didn’t survive the arrival of Blu-ray to physical media formats.

        At any rate, I think it’s clear the impetus that caused the label’s genesis was genuine love for the horror genre. Giving some older classics and newer gems some well-deserved exposure to reach new audiences. And they perfectly did so for a while, by filling a distribution gap on the smaller territory of the Benelux.

        And that was also the main reason why I felt these releases deserved some extra coverage on Cult Reviews at the time. After all, we were not only part of their target audience; we were also writing to their target audience. I think you pretty much solidified this philosphy by saying you were pleasantly surprised now, upon re-discovering they really had a nice little cult film series going there.

        And on that note, it’s really great to see you going back to some of your earliest writing on them (and other CR scrolls from wayback). Totally like your approach to this as well. I agree it would feel wrong to edit them. Then again, we’ve changed as persons and writers over the years. Sometimes what you wrote many moons ago, can still hit the mark today. Or sometimes, it can make Current You go cringe or shake your had in disagreement. I think you found the perfect antidote for that, by adding new notations where you feel they’re called for.

        Looking forward seeing more things pop up here!

        Take care,
        all the best,
        G.

      2. Thank you so much for the information and brief history of the Mr. Horror Presents label, Gert! The LastDodo link you provided was about as far as I got in my research, so I appreciate the fuller picture. It does appear that Doense and the Mr. Horror label was doing what Drafthouse and Grindhouse are doing now, and it’s a shame the company didn’t last longer than it did, especially in an underserved market.

        Thank you as well for your comments on bringing back the CR reviews and leaving them intact. It does seem like the best approach. I can say that there’s at least one line in my review for The Long Weekend that, upon re-reading it, made me wonder what I was thinking. You’ll see it here eventually, annotated with Present Anna’s thoughts. 🙂

        Best,
        a

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